
I’m trying to bridge real and representation, make the connection between the anatomy of a flower and a human assuming the form of that flower. But how to make something splendid just as splendid in costume form, rather than degraded?
playing, learning, and being outdoors in Cambridge, Mass.
I’m trying to bridge real and representation, make the connection between the anatomy of a flower and a human assuming the form of that flower. But how to make something splendid just as splendid in costume form, rather than degraded?
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